Remember, I only need to write between 6-7 pages a day. That’s not so much! Stephen King writes 10 pages a day, every day, not just in November. Impressive, yes? I ain’t ascared of no word count in November. No sir!
Then again, how does one get in the mood, day by day, for 30 days to crank out a novel of 50K words? One way is selecting the right music, music that will enhance the creation of sad scenes, funny scenes, poignant ones. Hopefully, the right music will elevate the dull, pedestrian scenes to higher levels. C’mon. We all have them. That’s why God invented edits and revisions. (Or was that the Devil? Hmmm.)
I’ve been writing since last Friday, and I can say I am still really psyched about the tale of a walk-in soul taking over a dog’s body. Writing in first person, however, is tough. I am still not quite in the swing of it. First person means, of course, that Kitty, my protag, has to be in every scene. I am used to getting other POV’s represented, so this is stretching me.
Back to music, I identified selection criteria and then picked the albums that resonated with me.
*Music has to have energy, but not too much; also some mellow for
*No words = no distraction, but if I don’t know the words it could work
*Nothing overtly classical since it isn’t who my characters are
Here are the albums I considered, and I bolded the ones that made the final cut. (Cut? Get it?) What music would you choose to write a comedic paranormal about a walk-in soul who tries to take over her dog’s body?
Hachi: A Dog’s Tale
The Truth about Cats and Dogs
The Shaggy Dog
Far from Home
Marley and Me
Theme? Doggy stories, mostly, of course. Some sappy, some sad, some funny, many poignant. What do you listen to as you write?