It’s that time of book again--I am awaiting edits for my first
culinary mystery in the “Dinner is Served” series, Mission Impastable. This is my first go-round with Oak Tree Press’s
editing process, so I don’t know quite what to expect.
Sure, I have some idea about sentence-level stuff because of
my recent editing experience with Streetwalker
(under Angelica French, Sizzler Editions, July, 2013).
I am certain that I didn’t magically construct better
sentences in Mission Impastable. I’m
sure my editor, Billie Johnson, will find that I overused “as”, “was”, “had”,
and my other bête noirs! She’ll make
me change my passive stance to active, drop dialogue tags, keep a consistent
point of view, and lots more.
But--here’s the fear--will she call me on the “fatal flaw”?
Do you know on page 5 whodunnit? Do the clues logically lead
to the conclusion? Are the red herrings smelly enough without taking over the
story? And do the characters come across as real, genuine, gee-I’d-like-to-know-them
people?
And how about that backstory intrusion?
What will I have to correct of a substantive nature? Am I up
to the challenge? Will the fraud that is me be revealed to the world? I tremble
more every day that passes.
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