Thursday, March 13, 2014

Take Your Writing Vitamins


Everyone knows that a healthy mind in a healthy body blah blah blah. So you take care of yourself, right? Riiiigghtt!

Exercise, eat right, take the supplements you need. So we go for balanced meals, cut out the fast food, and snack on fruits and veggies. And we ingest our calcium, krill oil, and multi-vitamin for Vitamins A, B, C, D and the rest of the alphabetic iteration.

But exercise? For some of us, that’s harder. Our job is to plant our seat (not seed) and let words flow forth. Umm. That didn’t come out (this is getting worse) quite right. But you know what I mean.

Our job is to sit there until we’ve met some pre-established objective--number of pages, number of words, working out a knotty scene, and so on. Getting to the gym or even taking a walk can be tough to schedule in. There’s always one more blog to write, one more set of Twitter postings, one more scene that’s really close to coming together-maybe, sorta, kinda.

Not much I can do about that, but during the writing process I can assure you that taking your writing vitamins will help you be more productive. Just as you want your body fit, your writing soul also needs attention. Here are your writing vitamins so you can crank it out.

One of the most important writing vitamins for accomplishment is Vitamin G. Setting Goals gives you a target, a focus, a raison d’etre for writing. Intermediate and long-term Goals keep you on track.

Using Vitamin L--Learn--probably happens naturally for you every day. But be more mindful of your Learning about your craft or writing business and share it on your blog. Let others know what you have found out about writing. Writing is a mode of Learning (Janet Emig). When you write about what you learn, you cement it for yourself.

Vitamin S may be the most important one. Show up for work. Yes, writing is your work, your job, even if a second one at this point. Without recognizing that commitment to job responsibility, you can easily find reasons to not write. Trust me, writing every day, without fail, will result in Vitamin G having its full effect.

Vitamin P must be taken with Vitamin S. Protect your writing time. Be ruthless. Bargain. Lie (oh, not really). Do what it takes for you to be able to Show up and accomplish your Goals.

Vitamin M will aid your production by making you more efficient. Move at least every two hours. The data about sitting is really devastating! We need to stand and move when possible. Set a timer (I have to because I lose track of time) and take a potty or beverage break. Walk around the house. Jog in place. Return phone call and walk around as you talk. MOVE!

And your last writing vitamin is Vitamin I. Ignore writing advice (except for this, of course). Should you plot to within an inch of the scenes or should you get “in the flow” and let it roll? Should you stick with one genre and get really good at that one or bounce among genres depending on your interests and the stories batting at your head? Ignore any advice that doesn’t feel right with this story at this time. That is not to say that you can’t read others’ suggestions. Sure pick their brains. But remember, there is NO one way to write a book. Or someone would have found it and everyone would use it. So ignore what doesn’t mesh. And incorporate what does.

What are your writing vitamins? Attend to your writing health as much as that of your body and mind.

Monday, February 24, 2014

Mystery Author Marja McGraw: The Hand of Fate?

I am delighted to welcome Marja McGraw to Write Away today! I met her at a Public Safety Writers Conference last July and immediately connected with her warm personality and terrific sense of humor. You'd be hard-pressed to find a more cheerful demeanor in any room! And guess what? No surprise that persona manifests itself in her books. The cover of the latest is here. Check her out in the links at the bottom. You will be delighted with your find!




 Many years ago my young daughter and I lived alone due to circumstances. We were living in a small apartment, and there had been several instances of prowlers lurking and mysterious occurrences, like keys disappearing from apartments. Everyone in the building was on the lookout for each other.

One night I was awakened when I felt someone’s presence in the room. Surprisingly, I was sleeping soundly that night and it took me a moment to wake up. I was trying to figure out why I thought someone was in the room when I realized my hand rested on that of someone else. Mind you, I was very sleepy. I wondered if I was dreaming.

I started to feel the fingers of the hand. Yes, someone was definitely in my room. I wanted to jump up, grab my daughter from the next room and run, but I was so groggy.

I touched one more of the intruder’s fingers and suddenly I was wide awake! I was on the verge of screaming, when all of a sudden I realized… I was feeling my own hand. My head rested on my right arm and my hand had gone to sleep. Needless to say, my right hand had no feeling and didn’t know my left hand was touching its fingers.

The point of this story is, there are so many things that happen to us in real life that we can twist and turn until they’re fodder for a mystery. Think about your life. You must have had something odd happen at some time in your personal history. Use it.

A few years after the hand incident I’d moved and lived in a very old house. There was a local bum/drunk who watched my house, unknown to me until he began arriving on my doorstep. He’d tell me the things he’d seen me do, and he’d leave little “gifts” like a soft drink or a bag of potato chips on my porch when I wasn’t home. Without going into detail, he was a scary guy who really wanted me to let him in. Interestingly, I’d call the police and somehow they could never find him. There’s a story behind that, but it’s better left for another time.

When I wrote “Bubba’s Ghost”, I used the bum/drunk as a basis for the story. I created twists and turns galore and ended up with a pretty good murder mystery.

You can create a scene or an entire book out of one instance in your life. No one has to know your story or scene is based on something that really happened to you, or that you saw happen to someone else. Real life can become fiction, although sometimes it needs a little help.

That fickle finger of fate can actually cause the direction our lives are taking to turn down a side road. The same thing can happen to our protagonist or other characters in our books. Sometimes we can even turn a traumatic occurrence into a funny scene.

Don’t get me wrong. Not all of my books are based on real life experiences, although a menopausal woman takes down a mugger in “A Well-Kept Family Secret”. That scene was based on something that happened to a friend and me when she was mugged in a bank parking lot several years ago.
Hmm. I’ve lived kind of an interesting life. Maybe I was meant to be a mystery writer. I sure have enough life experience for it.

As a reader, I hope you enjoy what mystery writers write, and I hope you can relate to some of the lighter parts of stories. I don’t want anyone to relate to the dark parts, but things happen.
As a writer, I hope you’re watching and remembering. I hope you’re using memories as well as your imagination.

If anyone can relate, readers or writers, it might even be a little therapeutic. One can always hope.
Thank you so much for letting me share a little about turning reality into fiction, Sharon. You have a lovely site and I enjoyed visiting.


Links:



Wednesday, February 19, 2014

How Do I Kill Thee? Let Me Count the Ways


There’s something about writing murder mysteries that rubs me the wrong way. At heart, I’m a non-violent, make-love-not-war kinda guy. Until you put a blank document in front of me with one of my delectable culinary mystery titles at the top. Tequila Mockingbird. Roux the Day. Romeo and Julienned. Glazed and Infused. Berried Alive. You get the drift. How can you not write to one of those titles? {Speaking of which--did you get your copy of Mission Impastable yet?}

When the blank page pops up, I can’t help myself. I recall grisly details of murder methods and motives. I tap into my files of devilish dyings. I scour the Internet for undetectable poisons. I make note of various ways to die--advertent and inadvertent--in books I read. Think about it: an inadvertent death can be used as a plot point or red herring in a murder mystery.

I write cozy mysteries. In cozies, you protect the sensibilities of the reader by killing off-stage, mostly. You don’t let them see the blood and gore of grisly death, mostly. Cozies are analogous to the old movies where they are clutched in embrace, move as one to open the door to the bedroom, and the scene fades to black. You know what happened, but you don’t live it real-time.

You might wonder how a “cozy mystery” can even be called a “murder mystery”? I mean, doesn’t that seem a contradiction in terms? Cozy implies safe. Murder is far from a safe state.Why do we authors continue to kill people? Are all authors just psychopaths masquerading as normal? Could we authors really be Dexter, with just a nudge?

Oh, I hope it is not mere sublimination. Rather, the puzzle to be set then solved is the attraction for most mystery writers, I suspect. It is satisfying to plot out the puzzle with myriad clues and red herrings (perfect for culinary mystery, eh?).

Back to the case in point: how many ways can you kill people? There is some weird stuff out there, by the way, in case you go investigating “ways to kill people”.

And, as it turns out, there are a lot of ways to kill people. Think about it. I’ll give you a moment to jot down ideas.
<Jeopardy music softly in background>

How did you do? Did you find it’s easier to enumerate if you think about killing in categories?

Deprivation of oxygen: plastic bag over head, pillow smothering, drowning, fire, strangulation, bury alive, and so on.

Traumatic injury: electrocution, car accident, bludgeoning, stabbing, shooting, hack off limbs, pierce the brain, sever artery, freezing, mauling, and more.

Chemical: drug overdose, toxic household items, toxic plants, acid, inhaling 100% oxygen, paralytic drug so systems shut down, radiation, viral, etc.

Then of course there’s the mass murder and serial murder. So many options for a writer. The only answer for us, of course, is to keep writing books and use up all the ways there are to do somebody in.

But, why do we choose murder? Can’t we just have some theft, a little B&E, nobody gets physically hurt, and call it a real cozy?

Nah!

Tuesday, February 11, 2014

Writers: Sell That Real Estate


I had a fun weekend at the Glendale, AZ Chocolate Affaire. Every February, around V-Day, about 100,000 people visit the various tents of food and crafts, listen to music, and buy books from local authors.

Our local branch of romance writers has had a tent from the first year of this event. This year about 40 authors sold and autographed books over a three-day period. Not everyone was selling romance--me, for example--but the romance writers embrace the big tent concept.

I would have sold romance, if I could have, but STREETWALKER (my Angelica French persona) is only an e-book so far. Hopefully, it will appear in print later this month. But, more on that later.

I did sell copies of my just-released culinary mystery, MISSION IMPASTABLE. What fun! Buyers got the pen I signed with, too. What a deal!

But I hawked more than I sold. That’s typical. Who comes to a festival thinking to buy books? Well, some do. Those are our regulars who show up every year hunting for fave authors. But most people I conversed with didn’t even know we were local authors.

So what did I hawk? Real estate.

No, not that kind of real estate.

The blank back of that business card you paid for, that space is real estate, and it cries out for information from you. And I don’t mean here’s how to reach me. That’s on the front.

On the back, I gave people a reason to keep my cards. A reason to keep them from tossing them in the trash or in a drawer. Out of sight, out of mind. I want to be on their mind.

So far, I have two books in print, so I have two business cards. I can see consolidating down the road, but for now, two is good.

The front of each card has contact info and my great book covers on a clean, white background. Very eye-catching. No clutter with cutesy graphics.

On the back, I give content. Content I hope they will find intriguing, or helpful, or just plain funny.

For STREETWALKER, my erotic romance, I include advice from my protagonist, Carrie, as "Carrie's Top Ten Sex Tips". People laughed out loud when they saw what I handed them!

And what better to put on the back of the business card for MISSION IMPASTABLE, my culinary mystery, than a recipe from the book, "Lasagna Roll-Ups"?

Now, I have to tell you, I did--briefly--consider including ways to poison people on the back of the MISSION IMPASTABLE business card, but I feared the NSA would show up. I don't need that kind of trouble. A recipe? Safe.

Waving my MISSION IMPASTABLE business card, I asked, “Like to cook?” to get people to my spot. One woman shook her head “no”. I held up my STREETWALKER business card and asked, “Like sex?” She laughed and came over so I could give my spiel.

What content is in your book that you could extend so people don't toss your business card? If you write romance, you might include dating tips. If you write historical fiction mysteries, share little known facts about the era or a person. If you write medical mysteries, include some factoids about the disease in your book. Perhaps, for a cozy craft mystery, you could include crochet instructions for a scarf. You get the idea.

You have specialized knowledge. Use it to extend the value of your 4¢ business card. You might make a sale worth many, many times that.

Wednesday, January 29, 2014

"A Picture is Worth a Thousand Words"


Hmm. As a novelist, I’m not sure I like this old saw. However, it would seem we are becoming an even more visually-oriented society than ever before. And that’s saying something!

Authors know to use Facebook, Twitter, blogs, and other social media sites, but
a relatively new kid on the block is Pinterest. Think of a virtual bulletin board you have divided into categories. You find pictures that fit your categories and “repin” them to your boards. For some odd reason, people search out your boards and “follow” them, like having “friends” on Facebook.

Pinterest launched as a closed, invitation-only beta site in March 2010. From it’s initial 5K users, after only nine months the site had 10K users. Time magazine, in August 2011 listed Pinterest in its “50 Best Websites of 2011” article. In December of that year, Pinterest became one to the ten biggest social network sites. By July 2013 the site had 70 million users world-wide.

That’s quite a potential audience for authors.

I heard about authors using Pinterest from someone in one of my Facebook affinity groups. She described how she used the boards to post pictures of her books and to promote the books of others. I was intrigued and checked it out.

This particular networking site doesn’t require nearly the same amount of energy as other social networking sites I use. Pinterest is more similar to my relatively-static website than the ever-changing blogs I write. I don’t actively seek followers, but they find me. It’s an interesting phenomenon.

To promote the author side of me, I have storyboards for the two books published (one in 2013; one in 2014) as well as a nascent story board for my current WIPs. I posted pictures of people who look like my characters. I posted pictures of important places, events, and objects in the books. Of course I have my book cover for Streetwalker and just posted the cover for Mission Impastable.

Additionally I have boards related to my books. For Mission Impastable, I have a board on “Food Porn” (luscious pictures of food) and “Kitchen Gadgets”. For Streetwalker, I posted a board for "Sex Toys" and "Carrie's Beauty Secrets". Without any effort, advertising, or soliciting, I have 117 followers. Just think what I could get if I promoted the boards!

It was fun to put my book concepts into pictorial form. It’s actually another sort of summarizing or synopsizing your ideas. Try it for fun! You might get hooked like the other 70 million folks using Pinterest.

Tuesday, January 7, 2014

On Being a Novelist


Pat, my decades-long friend and writing partner from my previous professional life, is a natural storyteller. She tells of happenings in the lives of family and friends. While doing so, she embellishes with rich details, she paces the information flow, and she reveals the climax at just the right time.

Pat says she can't write fiction, but she is the most vivid dreamer I know, and retells her dreams fluently. For whatever reason, she doesn't see the connect to writing fiction. Of course she could write fiction. Why do some of us think we can and others do not? And what does she really mean by her staunch belief she cannot write fiction?

By nature, we are a story-telling creature. However, Pat doesn’t see that the stories she tells me are ones that others would want to read. Or she doesn’t think there’s enough detail to sustain a novel. And maybe there isn’t. Because she doesn’t like reading short stories, she would never write short stories. I, myself, write both full-length and short.

Maybe that is the disconnect. She doesn’t see how to stretch the dream into a feature-length film. Is that a difference between those who claim “fiction author” as an identity? Do we see all stories as potential novels? I know I do. Ah, but the execution!

I believe Pat could indeed write a novel. She is an avid reader who knows what makes a good story. But she has to believe she could do it, and more importantly, she would need to want to be a novelist. It’s a hard enough job when you want to and think you can.

Has it happened to you? You have a great premise. Novel, even (Ha!). Unique. Unknown to the known world.

Yeah, right.

How quickly the idea can devolve into the mundane. Been done? Ordinary? Prosaic?

There’s something about sustaining that great idea across 60,000-90,000 words that make 90% of us who start writing a book, quit. 90%. Don’t you think that’s high? Someone in some writing workshop tossed out that number. I have no idea how one could come to that estimate. Still, it doesn’t ring untrue. How many people have told you they have a book idea. And you should write it!

Let’s say the number is less. I know that I have started writing about three dozen books. I have completed seven; two others are about a third done. Oh, and I wrote several short plays and one full-length play. With another full-length play about a third done. (Seeing a pattern?)

How many novels have I started in my computer files only to abandon them because, as Gertrude Stein wrote of Oakland, California, “There’s no there there.”? Great premise, but thin on the development. Maybe a short story, but not enough engaging stuff to sustain a novel.

So that makes my personal percentage for completing what I start way below 50%. That doesn’t mean that 50% are history. Au contraire. Many stories are just delayed. I’ll get back to them. Later. After I finish the new one I just jotted down an idea for!

Monday, November 18, 2013

"A goal is a dream with a deadline." Napoleon Hill


I told you in the Nov. 1 post that I need to finish It’s a Dog’s Life, my NaNo novel, earlier than November 30th. That’s because there is a November 30 deadline for entering the OneBook AZ contest for Arizona authors. The upper word limit is 60K words. Since none of my completed manuscripts are that short, it occurred to me to enter my NaNo book for this year.

If you’ll remember, my plan is to revise/edit each day as a way to re-engage with my manuscript as well as cut down on the amount of time I have to spend editing at the end. I am convinced that revising and editing as I go--something I have never attempted before--should help me end up with a better first draft.

Sounds like a plan. Getting sick mid-month was not on the schedule, but, hey. It happens.

Last November was a busy one for me. I had 10 days with 0 word count because of travel and other commitments. This November is shaping up to be relatively free of other distractions (other than that pesky Thanksgiving--whose idea was THAT to plop the holiday into NaNo month?). I tend to bank words when I know something is coming up so I can cover the word count.

However, what if the book stinks and/or I don’t have it in good enough shape to submit by November 30? Submit it anyway? Nah, I won’t. Why waste the judges time with something that is unworthy? I can take more time, if the book warrants it, and revise/edit at leisure in order to submit it for publication.

Will I make it before 11/30? Will the book be decent enough to submit? Am I crazy? If you answered yes to all three, you and I are on the same page.